Charlie Draper plays theremin and ondes Martenot, two rare early electronic instruments distinguished by their unique modes of operation and otherworldly sounds. These instruments are ideal partners: besides being among the earliest electronic musical instruments, they are capable of producing similar tones, rely on similar technologies, and demand comparably keen attention to pitch.
Based in London, Charlie is one of few musicians worldwide to have devoted himself to these instruments. He has collaborated with the RTÉ Concert Orchestra, Wigmore Hall, Oslo Opera House, Tate Britain, Worldcon Philharmonic, Radio Science Orchestra, British Library, WOMAD Festival, Welsh National Opera House, London ExCEL Centre, New York Public Theatre, and Oxford and Cambridge Universities, performing many principal orchestral works for theremin and orchestra, including Schillinger's "First Airphonic Suite" (UK premiere), Rózsa's "Spellbound Concerto", Herrmann's "Suite from the Day the Earth Stood Still" and Elfman's "Mars Attacks!". His performances have been featured on BBC 1, BBC2, ITV, BBC Radio 3, Channel 4, and Classic FM.
A passionate and experienced music professional, Charlie collaborates with those in need of these instruments' uniquely evocative tones. Services offered include: bespoke performance (solo with backing tracks and self-supplied PA, with piano, with harp, or in ensemble); bespoke recording (remotely or in-person; via improvisation, reference stems, notation or any combination of the above); tuition (private lessons, lectures, demonstrations and workshops for schools, colleges, and universities); music services (composition, transcription and score preparation) and consultation (historical and musical consultation on the theremin, ondes Martenot, and early electronic music).
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The theremin is one of the most unusual instruments ever devised. Invented in 1920 by the Russian physicist and musician Leon Theremin (1896-1993), the instrument is distinguished both by its haunting tone resembling the human voice, and by its unique mode of operation, which involves no physical contact from the player. By moving his or her hands around two metal antennae, the player can - like the conductor of an orchestra - summon music from the air.
The ondes Martenot is among the earliest successful electronic musical instruments, patented in 1928 by French cellist, radio engineer and visionary Maurice Martenot (1898-1980). The most well-known iteration of the instrument is distinguished by three unique features: a laterally shifting keyboard (which permits vibrato), a ribbon control (which permits unlimited portamento), and special resonant speakers which imbue the sound with an otherworldly resonance. Charlie plays two instruments: an Ondomo, manufactured by Naoyuki Omo in Japan; and an Ondéa, manufactured by David Kean in Canada. The evocative tones of these instruments can be reminiscent of a violin, cello, flute, or even a human voice.